There is an unwritten contract between an author and their readers. Picking out a book, purchasing and opening that book, sitting down in a solitary moment to read that book – all of this is an act of trust. It’s a leap of faith. It’s an investment of your readers’ time, money, and attention.
Alison Strumberger, Tellwell’s Managing Editor
Tell us about your background, as well as your role at Tellwell.
I’ve been working in publishing for a little over fifteen years, starting out as a submissions reader for a magazine in Montreal while completing a BA in English literature and creative writing. I went abroad after I graduated. Thirty countries and some years later, my travels took me to Melbourne, Australia, where I got my MA in publishing and editing while working in both trade and educational publishing houses. I ran my own writing/editing business for several years, editing everything from novels and travel guides to celebrity memoirs and annual reports. My own essays, fiction and poetry have appeared in numerous magazines and journals in Canada and Australia.
Here at Tellwell I mostly manage the editing department, and have been doing so since I moved to Victoria and joined the Tellwell team in 2017. In my capacity as managing editor, I make sure to recruit (and rigorously test!) highly experienced and professional editors who love what they do, and who are as passionate as I am about supporting authors to make their good writing great. It’s an incredible privilege getting to work so closely with a cohort of twenty-five talented editors based across Canada, the US, the UK and New Zealand. Along with our indispensable in-house editor, Simon Ogden, I work closely to monitor the quality of the editing while adjusting our services to respond to feedback from our authors. I’m an inveterate perfectionist with high standards, so I keep the team on their toes! I also spend a lot of time focusing on the quality of our production process, working to improve what we make, and the experience of the amazing authors with whom we make it.
Why is editing crucial for creating a quality, professional book?
There is an unwritten contract between an author and their readers. Picking out a book, purchasing and opening that book, sitting down in a solitary moment to read that book – all of this is an act of trust. It’s a leap of faith. It’s an investment of your readers’ time, money, and attention. With each typo, error, malapropism, unintentional pun, break in logic, inconsistency, accidental repetition, missed punchline, unchecked fact, misused semicolon etc, that trust erodes, and so does the author’s credibility and the reader’s lasting impression.
A well-regarded book is not weighed down by its technical pitfalls, which can be plentiful and distracting in unedited books. It is disappointing to read a review of your book that says, “It would have been great, if only it had been edited.” The crux of your book – the concept, the idea, the dare-I-say genius of it – can be clouded or confused or missed altogether when the reader needs to wade through a sea of errors, correcting as they go.
Just as each word you put on a page contributes to the meaning of your work, so too does each space, each paragraph break, each punctuation mark. Your editor is an expert in units of meaning. As Mark Twain put it: “The difference between the almost right word and the right word is really a large matter; ’tis the difference between the lightning bug and the lightning.” Dr. Seuss put it more playfully perhaps: “The writer who breeds more words than he needs, is making a chore for the reader who reads.”
Your editor doesn’t see mistakes, they see opportunities to make your writing tighter, cleaner, and clearer.
Alison Strumberger, Tellwell’s Managing Editor
What do you consider to be a great edit?
