Tellwell illustrator and cover design consultant Jamie Jamandre spends her days illustrating beautiful images for Tellwell’s children’s authors and consulting with authors about their cover design. Get to know Jamie, learn what illustration styles she’s most drawn to, and what she believes makes for a really good illustration.
I think the key to a good working relationship is communication and understanding.
Jamie Jamandre, Tellwell Publishing Illustrator
What inspired you to become an illustrator?
Like many illustrators, I’m largely inspired by cartoons, comic books, animated films and Japanese anime. Sci-fi and fantasy genres inspire me the most.
What do you love about illustrating children’s books?
I like being able to peer into the lives of the authors, and hear their stories. Stories from people of all walks of life, their families, their values, or the places they are from – I like getting a glimpse into their world through the power of their words.
What design/illustration styles are you most drawn to?
Although I appreciate all sorts of design styles, I find myself most drawn to soft watercolors and painterly styles, as well as pen and ink drawings. I like playing around with gradients and textures and experimenting when I can with my artwork.
What do you think makes for a really good book illustration?
We’re introducing something new, folks, and we’re very excited about it! We will now be offering free ebooks on the Tellwell blog and newsletter!
Tellwell authors have partnered with other authors in their genre to offer their books completely for free – for a limited time. This is part of Tellwell’s new marketing service for authors. Here, we are partnering with authors with similar content to leverage each other’s audience and expose each book to new readers, building the author’s email list in the process. If you are interested in participating, get in touch with your publishing or marketing consultant.
Read on to learn more about each book and how you can enter to receive a free copy.
Ben’s Final Checkmate by Laura Sandor
Toronto-based psychotherapist and author, Laura Sandor shares the tragic story of mental illness, murder and suicide which tear apart her unsuspecting family in her new book.
Readers are calling Ben’s Final Checkmate impossible to put down!
Laura has partnered with other talented non-fiction authors who bare it all in their stories. To get your free copy, all you have to do is click here. Bonus, you can download any of the other 11 books from this giveaway, too!
Tellwell project manager Gezel Zorobrado has been working at Tellwell for about three years. In her role, she helps navigate authors throughout the various stages of their book project, from manuscript to distribution. She is a ray of sunshine, with big smiles and lots of laughs to share. Gezel is about to welcome her first child this fall:)
Never be afraid to share your stories with the world. You may inspire others to do the same.
What do you enjoy most about working with authors?
It is very fulfilling to play a small role in helping authors achieve their dreams and complete their goals. It brings me much joy! I like forming friendly and strong relationships with authors so they know they can rely on me to be their ally.
How would you describe your personality? What motivates you?
I am an introvert. I prefer having a quiet environment to think, reflect, and focus. I’m motivated to achieve my full potential and continue growing individually and professionally. I appreciate it when people recognize my efforts.
What is the most common misconception when it comes to the self-publishing industry?
Authors, at times, confuse the self-publishing model with the traditional publishing model. There is a common misconception that once the author submits their manuscript, we will do all the legwork to bring their book to market.
While Tellwell certainly takes many of the pain points away during this process by creating the cover, laying out the interior, editing and distribution (depending on the author’s package), it still requires the author to submit input, approve changes and be involved in the process.
The authors who are most engaged during the production process tend to carry the same enthusiasm in marketing their book, which is crucial to success.
A really great book cover is one that captures the book inside it in some fundamental and, perhaps, unforeseen way.
Von Langoyan, Tellwell book cover designer
What do you enjoy most about designing book covers?
I enjoy the creative process of capturing and evoking the essence of a story through visuals. The cover needs to both intrigue a reader and give them a sense of the book’s genre and content. I enjoy staying up to date on design trends and using them in my process so our covers look fresh and contemporary.
Our authors sometimes have a vision for how they would like their covers to look, and I work with their input to create something they would love, and that is also captivating and current.
Where do you get your design inspiration?
Social media and the Internet, in general, are great for inspiration. I follow artists and designers who I admire to see what they are working on.
What have been some of your favourite covers that you’ve created for Tellwell? Tell us why.
I’ve had the pleasure of working on several book covers for the talented fiction author Monique Gliozzi, who lives in Australia. Monique’s books Foresight, Vestige and Diversity are paranormal thriller/mysteries and we wanted the covers to evoke a sense of supernatural spookiness.
Monique had a clear idea of what type of cover she wanted and provided us with really great, detailed instructions. I used a number of design elements to create a sense of haunting and mystique, such as the illusion of depth, partially hidden titles and objects, and surrealism.
For May’s Mental Health Awareness month, we are acknowledging some of our Tellwell authors whose books include themes of anxiety, depression, insecurities, and emotional expression. These books aim to give the reader a better understanding around mental health and how to recognize and communicate various feelings.
I Don’t Want to Go To School is a book that is intended to help children and families deal with separation anxiety, especially when it’s their first time at school. For some children, every day is like the first day because they are afraid their families will not return to pick them up. I wrote this book to reassure children who are still working on a secure attachment, that school is fun and families always come back because they are loved. Most books that address these issues use animal characters, but I chose real-life illustrations that the children can relate to. Lastly, this book will help teachers present classroom transitions to little children more effectively.
A story about a young girl who has a worry bully that keeps visiting and making her tummy and her head hurt. Whether it’s when she’s trying to join a game with friends, speak in front of her class or go for a check-up, he keeps showing up. He seems to be EVERYWHERE! But with help from some people who care and a big dose of bravery, she begins to learn just how to send her worry bully away.
We aim to take the piece of art they have shed blood and tears for and polish it into its most beautiful form, and we do this by being the author’s greatest champion.
Simon Ogden, Tellwell Publishing’s lead editor
Tell us about yourself.
I’m a recent Toronto transplant after a two-year residence on Prince Edward Island (Canada’s cuddliest province), but I was born and cultivated throughout British Columbia, mostly Vancouver and Victoria, the latter being where I joined forces with Tellwell in 2017. In Vancouver, I spent many years wearing the various hats one does in pursuit of a theatre career, mostly as a playwright and director, and I ran various hospitality establishments, from ridiculous night clubs to nerdy classicist-cocktail lounges, finally accepting my birthright and inevitable career as a book editor (I’m the youngest son of a pedantic linguist, who passed on to me his deep love of the English language and its best literature).
You’ve been an editor with Tellwell for several years now. Tell us about your role.
I began with Tellwell as a contract editor and soon assumed the post of head editor, or assistant to our beloved managing editor, Alison Strumberger. I have recently moved into the position of in-house editor, which delightfully allows me to interact more with my colleagues populating the other departments in our little publishing mothership, and it lets me keep a more structured schedule than is typical for freelance editing, which I refer to amongst the team as “the craft that never sleeps.”
The bulk of my duties still entail working with our authors to strengthen their manuscripts before we put them to print, but I’m also a handy resource for the rest of the team to make sure processes are on track, and the often esoteric world of the editing department is approachable and clear when needed.
What approach do you take when editing a manuscript?
Working with an editor is a very trusting and intimate relationship, so my first and abiding goal is to get in sync with the author’s style, intent, and rhythm. One of the glorious aspects of the job of the professional editor is the opportunity to work with many unique and personal voices, and it’s our main job to support them. All authors need support in unique ways, so we begin by identifying each manuscript’s overarching strengths and weaknesses, and then decide where best to apply our resources.
For example, a manuscript may present a truly original and fascinating approach to its plot, but its sentence-level syntax isn’t making the plotting as clear as it could be—that becomes the area we would prioritize toward bringing all the elements into alignment. Or the author’s sentence styling might be nuanced and gorgeous but various plot points are in conflict—we would then be looking to smooth them out a bit while maintaining the sentences’ natural euphony … each book has its own needs, and a great editor has to be able to tweak all the dials as necessary.
What is the end goal when you are editing a manuscript?
It’s always the same: to help the author produce absolutely the best final version of their book, one that they can for the rest of their lives be proud to offer to the world in exchange for the cover price. We aim to take the piece of art they have shed blood and tears for and polish it into its most beautiful form, and we do this by being the author’s greatest champion.
Some authors worry an editor may change their words too much, and the book may no longer feel like it’s theirs. What would you say to those authors?
This month we are celebrating some of our poetry authors and books. Each book, poem and story shares their experiences of love, loss, personal growth and so much more.
Poetry, literature that evokes a concentrated imaginative awareness of experience or a specific emotional response through language chosen and arranged for its meaning, sound, and rhythm.
The author displays her vulnerability and openness in this collection of poetry, which spans the last twenty years of her life. She deals with such themes as lust and love, as well as illness and abuse, among other profound and relatable topics. The overarching theme, though, is that there is hope and triumph throughout all experiences, and is a poignant reminder that there is light through the dark. Faith also serves its purpose during all of life’s most magnificent and most heart-wrenching times.
For me this book is not just a book…
It’s an achievement It’s a reward It’s a helping hand
It’s a token for my success
This book is a gift to those who thought
I wasn’t enough
To those who thought
I wouldn’t achieve anything
This book is the story of my life…
Poems to the Homeless paints a graphic picture of the poor and the homeless everywhere in the world on a given day. The poems elicit deep feelings of sympathy and compassion towards those who once may have been whole, healthy and productive individuals, but who are now broken, and some beyond repair or help. Many are on the street, begging for food, heat and shelter. The poems also address the great indifference and complacency of individuals and institutions who may have the power and the means to make a difference in the life of the poor and homeless, and help make society more just and humane.
Poems to the Homeless has been written to sensitize and motivate the readers through schools, social and religious groups, private networks, churches, volunteer organizations, and for those who may be searching for an excellent fundraising item when working with the poor and the homeless, and encourage greater awareness and financial and practical involvement.
March is Women’s History Month, and we thought it would be fitting to highlight some of the incredible women who have self-published their book with Tellwell, and the moving stories that they have to tell!
Jennifer Robertson
Self-proclaimed Fertility Warrior, Jennifer Robertson is the author behind the inspirational memoir The Injustice of Infertility: A True Story of Heartbreak, Determination and Never-Ending Hope. In addition to her debut novel, Jennifer is a fertility coach, aiming to help other women feel less alone throughout their journey with fertility treatments.
“Infertility was not my first rodeo – but it was the first bull I ever rode that bucked me off and laid me on my ass. It broke me open and created scars that never really healed.”
Jennifer puts everything out there, and her real approach to infertility (no sugar-coating, just empowering, brutal honesty) has connected thousands of women across the web. With this community, she’s helped tons of people understand infertility and the pain it can cause, while providing an insightful helping-hand for any woman that needs it.
In order to help those struggling with infertility, Jennifer created The Lighthouse Project. The Lighthouse Project is a four-week online program that helps provide some clarity and direction in the infertility process, and provides the opportunity for women to feel less alone as they navigate their journey with infertility. .
To be inspired, work with Jennifer, or learn more about her journey, visit her website, www.jenniferrobertson.co.
We’re passionate about books so it’s no surprise that some of us at Tellwell not only love helping authors through their publishing journey but are going through our own! Project manager Joy is currently writing her novel. Learn more about Joy, her role as a Tellwell project manager, and what her book is about!
What puts a smile on your face every day?
Learning something new, helping others in small ways, and showing appreciation. When I push my limits and accomplish things that I once thought were very difficult, that puts a wide smile on my face.
What do you enjoy most about working with authors?
“Meeting” a lot of interesting people, knowing their stories and how they came up with their books is delightful. My absolute favourite feeling is when my authors tell me I’ve helped them fulfill their dreams.
What advice do you have for authors going through the publishing process?
My advice is to ask a lot of questions, especially for first-time authors. Having patience throughout the process is really important too. I understand the excitement in wanting to be published quickly, but I advise authors to not rush through approving drafts— take the time to carefully review them:)
What advice do you have for authors who are considering publishing their manuscript?
I’m trying to write a book myself as well so I would say, don’t hesitate and take a leap of faith because it will be your legacy.
June is National Indigenous History Month in Canada. It’s a time to reflect upon and learn the history, contributions, heritage, and diversity of Indigenous peoples in Canada and their role in shaping the country. First Nations, Inuit and Métis Peoples have their distinct histories, and within each group, their unique stories.
Tellwell is celebrating Indigenous History Month by showcasing our talented and courageous Indigenous authors whose stories strengthen our social fabric, enrich our culture and understanding of history. Thank you for telling your stories and sharing it with the world.
Karen Chaboyer
They Called Me 33: Reclaiming Ingo-Waabigwan
Karen Chaboyer is an Ojibwa mother and grandmother from Rainy River First Nations, a community in northwestern Ontario. She is proudly admired by her children, who have witnessed her transformation as she worked through layers of shame and learned to embrace her identity. A second-generation survivor of residential school, Karen now shares her experiences with audiences throughout the Toronto area, where she now resides. Karen’s goal is to educate people on the extent to which the tragedies of the residential school system have impacted individuals, families, communities, and entire cultures to this day.
Grieving is the way to work through our losses and past traumas; compassion for ourselves and each other is how we move forward. Only then can we be victorious.